What Pecan Light, Bull City Press (Summer 2020, full length)

Hands like Birds, Ethel Zine Press (October 2019, chapbook)



The Kenyon Review, “Love as a Succession of Absences,” “Poem Beginning with a Line from Claudia Rankine,” “Locusts or Complaint as Protest” (forthcoming)

Cherry Tree, “The Lives of My Childhood” (forthcoming)


The National Poetry Review, “If Childhood Were According to Berries and Flowers” (forthcoming)

Ethel Zine Vol. 3, “Syllables like Leaves or a Small Treatise on Fate” (forthcoming)

Southern Humanities Review, “A Visitor Says Things are Rotting in Durham, NC” (forthcoming)

The Baltimore Review, “Tractors”

Parentheses Journal, “How to Function in an Anxious State” and “The Grammar of Gendered Appropriation”


The Greensboro Review, “I want the plainest things,” 2018

About Place, “Poem Ending in a Line from C.D. Wright”

Glass: A Journal of Poetry, “Signs,” 2018

Poached Hare, five poems including “The Garden of Earthly Delights, I,” “The Garden of Earthly Delights, II” and “Couple in a Floating Peach with an Egret” for Le Spécial Mensuel

storySouth, “Chicken Farming in the Pelican State”

Cotton Xenomorph, Manifesto, 2018

Dirty Paws Poetry Review (special feature: Women of the South), “The Virginia Flaggers Erect Another Confederate Flag in the Commonwealth of Virginia”

poems2go, “Dixie Land Delight” and “What Escaped” (reprint from American Poetry Journal), 2018

The Indianapolis Review, “The Grammar of Habit” and “Burr Crown,” 2018

American Poetry Journal, “What Escaped,” 2018

The Longleaf Review, “The Pink Duck” and “Dowry of a Nature Explorer,” 2018

EcoTheo Review, “Couple With Their Heads Full of Clouds” and “It was a field before it was a battlefield,” 2018

Roanoke Review , “Sleeping by an Open Window in October” and “The summer we had lice,” 2018

Unbroken Journal, “I Knew a Cop,” 2018

Thrush, “The Light Has Always Been Going Down,” 2018 — (Web Weekly Feature at Verse  Daily, March 26, 2018)

The McNeese Review, “Confederate Statues are Falling this Morning” and “This Hour,” 2018

The Christian Century, “Hickory Tree,” 2018

Cotton Xenomorph, “Even pines have crowns,” 2018


UCity Review, “This Morning I carry with Me,” “Tantrum,” “Preschool Holiday,” 2017


Berfrois, “Rock & Water,” “Sleepers” 2013


St Katherine Review, “In Reference to Stars,” 2012

Berfrois, “The Surviving Fairy Tale” and “What is Metaphysics” 2012

ILK Journal, “On Longinus the Sublime and Perhaps Milton’s Blindness” and “It Gives a Lovely Light,” 2012


111O, “Diana,” 2011

Tipton Poetry Journal, “River,” 2011

Flourish Magazine, “Little” and “Crows (reprint),” 2011

Prick of the Spindle, “Oedipus,” “How to Shout..,” “Some Substances…,” 2011

Berfrois, “Some koi live for two hundred years,” 2011

Rock & Sling, “To the Subjective Thinking Individual” & “Dwarf Cherry Tree,” 2011

Spirituality & Health Magazine, “Last Days,” 2011


Measure: A Review of Formal Poetry, “The House,” 2010

So To Speak, “To Charles Olson,” 2010

Ruminate Magazine, “Owls,” 2010

The Christian Century, “Cantata,” 2010

Divine Dirt Quarterly, “Crows,” 2010

The Basilica Review, “Sunflower Variation” & “Annotation for Joyce on Boxing Day”